jay rechsteiner

Spaghetti Soirée

Spaghetti Soirée

Spaghetti Soirée is an ongoing domestic exhibition format organised by Jay Rechsteiner in Cliftonville, Margate.

Rather than a conventional gallery opening, it brings together paintings, food and conversation within a lived space.


Pressure. Friction. Instability.

First instalment featuring works by Adam Lucy, Rory Draper and Jay Rechsteiner.

The works are placed together to test how they behave in relation to one another. Some images hold, others resist or refuse to fully settle.

Private Spaghetti Soirée
Friday 5 June 2026

Please note: the soirée is by invitation only.

 

Open viewing days:

Saturday 6 June, 12 – 4pm
Saturday 13 June, 12 – 4pm

The exhibition can also be viewed by appointment during the week.

Cliftonville, Margate

For enquiries or appointments please use the contact page or Instagram.



PRESSURE. FRICTION. INSTABILITY.

Works by Jay Rechsteiner, Adam Lucy and Rory Draper.

Pressure. Friction. Instability. is the first exhibition presented as part of Spaghetti Soirée, an ongoing series of exhibitions, meals and conversations organised by Jay Rechsteiner.

The exhibition takes place across the hallway, dining room and kitchen of a house in Cliftonville, Margate. Rather than occupying a dedicated gallery space, the works are installed among the rhythms and structures of everyday domestic life.

The exhibition brings together a large grid of Bad Paintings, recent paintings by Jay Rechsteiner, paintings by Adam Lucy and works by Rory Draper. The artists were not brought together to illustrate a shared theme or position. Instead, the exhibition explores what happens when different approaches to painting are placed in close proximity and allowed to coexist within the same space.

During installation, unexpected relationships began to emerge. Paintings started to affect one another. Images, figures, colours, surfaces and moods carried across rooms. Works made independently and at different times appeared to enter into conversation. Some relationships felt obvious, while others remained uncertain and difficult to describe.

Visitors encounter the exhibition gradually as they move through the house. There is no prescribed route. Connections are discovered through movement, repetition and return rather than through a fixed narrative.

Spaghetti Soirée began as a simple idea: inviting artists into a domestic setting to share work, food and conversation. The opening takes the form of a small invitation-only dinner. The exhibition then continues through open viewing days and appointments.